So, leave your brains and other organs at home and take your SO for this date film before you’re pronounced man and behen. But then, when have screwball comedies in Hindi cinema subscribed to being politically accurate or sensitive? If they were, No Entry would be shunned for objectifying women and Thank You would be banned for making light of domestic abuse. It’s easy to forsake this film as regressive and the society portrayed here as dated and disconnected from reality. Cameos by Bollywood baddies such as Gulshan Grover and Ranjeet don’t contribute or take away from the mood this film hopes to evoke. Shruti Haasan’s contribution to cinema could be compared to Lata Mangeshkar’s to football and the actor does little to elevate this film when it goes south in the second half. In every frame, he delivers on his character’s fears, frustrations and relentless pursuit for love. It plays out in a terribly familiar fashion. out of 5 and said that, 'While the premise of Behen Hogi Teri holds promise, the film is written with very little imagination. The actor, who has largely restricted himself to character-driven indie films, single-handedly carries this comedy with equal sincerity. Rachit Gupta of Filmfare gave the film a rating of 2.5. If there’s one reason to catch this film, it has to be for Rajkummar Rao. Multiple suitors, convicted dons and a hapless lover lock horns as the proceedings fold up with a loud and laboured confession of love.
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Soon enough, matters take a Priyadarshan-esque turn and this comedy of errors becomes much to bear.
#Behen hogi teri movie review 2017 series#
A series of unforeseen events pickle Gattu’s plan and he’s ‘bhai-zoned’ by Binny’s kin. While Binny longs for a ‘himmatwala’, Gattu stutters while spelling his dil. One of them is Gattu (Rajkummar Rao), whose heart beats for his childhood crush and neighbour Binny Arora (Shruti Haasan). Braving this forced brotherhood and hopeful of altering his equation with his ‘nickkar ke zamaane ki mohabbat’ makes for the rest of the film.īehen Hogi Teri takes us into a Lucknow where young males in the moholla are petrified of being sworn into brotherhood by the very women they pursue on the fateful day of Raksha Bandhan. Only problem - his overenthusiastic performance of being familial earns him the despicable moniker ‘bhai’. His tears ride over his fears and in consoling the bereaved, he not only gets access to her family, he becomes a part of it. The lead, who doesn’t share the same distraught, suddenly conjures remarkable remorse and his poker face assumes a sullen expression. The lady in question settles down next to the deceased and breaks down.
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Just as he is about to deliver the life-saving act, the doctor arrives and the senior is declared dead. The film actually starts in the second half and gains. The first half seems unnecessarily dragged and a good 15-20 minutes could have been edited easily. In a memorable scene, the film’s lead is asked to implement mouth-to-mouth resuscitation on his lady love’s granny (Kamlesh Gill). Behen Hogi Teri Review: Direction, Music. And while the relationship between death and desire has been detailed time and again (Wedding Crashers), this one feels unique. A sequence in this film orchestrates a romantic number that encapsulates a blossoming one-sided love story over the course of a funeral.